Directed by Marco Bellone & Giovanni Consonni
Directed by Travis Hanour
Directed by Vadim Perelman
Directed by Mike Matthews
Directed by James F. Coton
Directed by Jeremy Charbit
How to combine:
• shooting and camping
• road trip between Los Angeles and San Francisco and casting wild animals
• searching for the highest sequoia and transportation of the largest bags with clothes and props from one continent to another.
How to bring a crowd of people from a dungeon to a roof, bring Pokras Lampas (
pokraslampas.com) from St. Petersburg and a director from Portland. And in addition — not to break the budget ceiling.
How to bring in a concept artist who works with Wes Anderson and Woody Allen. Survive the endless process of post-production and not to drown in the sea of entertainment.
And in general, how not to drown.
How to shoot ordinary happiness in blistering cold and not to let anyone catch one. Charm the locals and clear out the parking lot for the film caravan.
How to shoot live action and table top in one countryside house and in one shooting day.
Pay attention to the bubbles and ice cubes in the glass. The sfx team has dedicated endless hours to them — everything is done flawlessly following the client's guidelines, down to the millimeter.
How to change 8 locations in 2 days, manage to shoot a photo campaign at the same time and feed the client oysters and prosecco in Cape Town.
Creating clouds of smoke took more time than shooting a passionate bedroom scene — just like in real life.
